The fantastic organ

The Age of Insight by Eric Kandel is a brutal and beautiful book. Its pages burgeon with beautiful images and beautiful ideas. The ideas are pursued with relentless honesty and diligence for more than 600 pages. There are parts of this book that should only be read in private. I know this after a slightly fraught flight to London, trying to read the book while covering its pictures of masturbating women with my boarding card—I did not want to offend the sensibilities of an Indian gentleman, who showed a polite interest in my reading material. I am not quite sure why I did this, perhaps because I am English; or perhaps because I found the pictures curiously arousing—despite their innocent titles {e.g. ‘Seated Woman in Armchair’ by Gustav Klimt [(1862–1918): c.1913], pencil and white chalk}. Happily, the book explained why I found them so alluring. THE AGE OF INSIGHT: THE QUEST TO UNDERSTAND THE UNCONSCIOUS IN ART, MIND, AND BRAIN, FROM VIENNA 1900 TO THE PRESENT By Eric R. Kandel 2012 New York: Random House ISBN: 978-1-4000-6871-5 Price: $40.00 Kandel’s treatment is a book of two parts. The first deals with innovative thinking and insights in science and art in turn of the century Vienna. The second overviews the neurobiology of perception and emotion, bringing the reader back to deep questions about perspective taking and neuroaesthetics. The premise that underpins both parts is that the brain is an inference machine, generating hypotheses and fantasies that are tested against sensory data. Put simply, the brain is—literally—a fantastic organ (fantastic: from Greek phantastikos , able to create mental images, from phantazesthai ). For me, the story starts with Hermann von Helmholtz (1821–94) and the notion of unconscious inference (Helmholtz, 1866/1962). Kandel places this story in the context of history and art, in an …