The paper is based on a study carried out for the British Library. The 10 production methods compared (5 for printed and 5 for microform catalogues) are: 1. line printer on 3‐part stationery; 2. line printer to offset/litho master; 3. COM master to offset/litho; 4. graphic arts quality COM to offset/litho; 5. phototypesetting to offset/litho; 6. microfiche; 7. microfilm; 8. graphic arts quality microfiche; 9. graphic arts quality microfilm; 10. PCMI ultrafiche. Tables show the approximate costs of producing different numbers of copies of different sizes and with varying cumulation frequencies (ranging from weekly to annual). Over a wide range of catalogue size and number of copies, some form of microform output is usually cheapest.
Jessica L. Kevill, Cameron Pellett, Kata Farkas, Mathew R. Brown, Irene Bassano, Hubert Denise, James E. McDonald, Shelagh K. Malham, Jonathan Porter, Jonathan Warren, Nicholas Evens, Steve Paterson, Andrew C. Singer, Davey L Jones
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